Versions and when things happened to them (with some contradictions...)

  

Versions and when things happened to them

(with some contradictions...)

When	Director’s Cut	Theatrical version	Abraxas/Summerisle Film, “Final Cut”, middle version	Unknown version
Sometime between February and May 1973	Created
May 18, 1973		Created from Director’s cut overnight by Eric Boyd-Perkins using list from Roger Corman
December 6, 1973		Opens for test screenings at the Metropole Cinema in Victoria, London with Don't Look Now as a double bill.
Unknown date in 1973	Sent to distributors in US. Roger Corman gets 2 copies
January 1974		Public showings
January 13, 1974		A ”premiere” shown at the Regal Cinema, Stranraer and The Cinema, Newton Stewart, 3 pm. (And the Cally Palace Hotel, Gatehouse of Fleet, probably very close to this date.)
January 19, 1974		plays at the Birmingham Odeon Queensway Cinema at 11.30pm.
January 20, 1974		The Curzon Cinema, Eastbourne. Also the Sports Argus newspaper lists a showing in West Midlands, with Don’t Look Now
January 21, 1974		standalone showing at Odeon Haymarket, London (Your Face Here book)
January 24, 1974		Official opening at the Odeon Film Centre in Liverpool with Don't Look Now.
July 1974		Plays Atlanta, GA, 7/1 Dept of Trade registration number BR/E 37199/13/1/7, British Lion Films, 86 min running time.
August 1974		Plays Los Angeles and San Diego, CA
End of 1974, 1975		Most UK theatrical showings are done. Some continue into 1975.
Sept 7, 1976		John Alan Simon and Stirling Smith screen the film at the Robert E Lee Theater, New Orleans, just for themselves. (Hoping to distribute it.)
1977	Hardy makes color internegative of Director's Cut to create the Final Cut		Hardy makes color internegative of Director's Cut to create the Final Cut. It is lost later.
April, 1977		Abraxas screens film for NY theater owners. The lab work for the restoration is not complete yet. "...the exact form of the film (has) yet to be ironed out by Hardy..." - Cinefantastique.
October 1-6, 1977		Downtown World Theater, Minneapolis showings by Hemispshere Pictures. Abraxas is considering suing them for their "unauthorized distribution of the film." The print was an original Warner Brothers print provided for viewing purposes only when Hemisphere "expressed interest in bidding on certain territorial distribution rights."
November, 1977		Jackson, Mississippi showings
November 18, 1977		Baton Rouge, Louisiana showings start. Christopher Lee attends.
Sometime in 1978	Released onto VHS, Media Home Entertainment, (has damaged scene after Tolbooth)		Created
January 13, 1978		Shreveport, Louisiana showings start
March 1978			Stuart Byron, in Film Comment vol.14 no.2 (March 1978), writes: Abraxas "has only one print of the director-approved 102-minute* version working", the rest being the 86 minute version.*(102 being the 99 minute version.... see John Alan Simon’s explanation about times/lengths.)
Summer of 1978			Summerisle press kit says restoration was done in NYC
Sept 1978			First showing at Telluride Film Fest
Jan 3 and 4, 1979	Shown in San Francisco
Jan 6, 1979			First commercial showing, San Francisco
Sometime between February and May. 1979	Churchill Films takes possession of videotape masters and original long-version print, neither is ever seen again.
March 16, 1979		ATV Midlands, UK, first tv showing in UK
June, 1979	Simon gets brief access and gets VHS release of 102 min cut on Media Home Entertainment.		Summerisle Film is no more, JAS sues Weinberg and removes him. They handed back everything to Abraxas. John Alan Simon takes over.	Group IV (released) films first theatrically, then on video, then on pay-cable, and only then on free broadcast television. (Brown)
March 26, 1980	Slightly after this date, the director’s cut goes on WOR tv in NYC		NYC opening at the Paramount
1981	Magnum VHS release (has damaged scene after Tolbooth)	UK VHS release
Dec 1981?				I see it on tv, WOR, NYC
1988			Movidedrome, First showing on UK tv
1993	US Cable premiere of any version?
June 26. 1993	London movie listing, Sky Movies Gold (satellite?) Director's Cut
May 27, 1996		Sydney (AUS) review
April 20, 1998		Melbourne (AUS) tv listing Optus channel (pay tv) 11:30 pm
January 15-17, 1999	Watched at 1st ever Wicker Man convention, at the Ellangowan
October 21, 1999	Falkirk (UK) Town Hall Cinema - Allan Brown shows the Director's Cut and approximately :45 of the Plockton home movie footage.
January 29, 2000	London showing PLUS behind the scenes footage!
May 3, 2000		(NFT)/BFI, London showing
2000? 2001?	Anchor Bay DVD (doesn’t have damaged scene after Tolbooth)	Anchor Bay DVD
2013			Harvard library copy is found, declared as Final Cut, gets restored (cleaned up, no edits made), comes out with theatrical showings and on DVD.

Asking Google AI and Apple's Siri Ai about the statue Willow rubs the head of

 I had fun asking Google AI and Apple's Siri AI about the statue Willow rubs the head of. Both thought they knew what it was. Turns out they are guessing. (My comments in italics.)

(pic of the statue Willow rubs the head of)

 Google AI image search 

The item featured in the image is a limestone statuette of an ancient Egyptian deity, specifically depicting Thoth as a baboon or an variation of a canopic jar lid (like Hapi).  (Lyon & Turnbull)

In the 1973 folk horror classic The Wicker Man, this specific prop is part of the set decoration inside the island's schoolroom, where Miss Rose teaches the local children pagan customs and phallic symbolism. It sits in the background along with other eclectic, ancient antiquities and animal iconography chosen by the filmmakers to emphasize the isolation and non-Christian culture of Summerisle. (Wikipedia +1)

Would you like more details about other specific props used in the schoolroom scene, or are you looking for the filming locations where these scenes were shot? 
The Worldwide Guide To Movie Locations +1

    The Worldwide Guide To Movie Locations
    The Wicker Man | 1973
    The Wicker Man | 1973 The Wicker Man location: the ruined church: Anwoth | Photograph: Steen Mangen The Wicker Man location: the r...
    Lyon & Turnbull
    Past auction: ANCIENT EGYPTIAN STYLE ALABASTER CANOPIC JAR WITH HAPI LID | 31 July 2024
    Past auction: ANCIENT EGYPTIAN STYLE ALABASTER CANOPIC JAR WITH HAPI LID | 31 July 2024. [[Image]] 29. Lot 29. ANCIENT EGYPTIAN ST...
    Wikipedia
    The Wicker Man
    The Wicker Man For the remake, see The Wicker Man (2006 film). For other uses, see The Wicker Man (disambiguation). The Wicker Man...

Me: it is NOT seen in Miss Rose's schoolroom. It is seen in Willow's room. She rubs the head of it as she dances.

You are completely correct, and thank you for the precise correction.

This limestone baboon statuette sits prominently on a dressing table in Willow’s bedroom at the Green Man Inn.

During the famous "Willow's Song" sequence, Willow (played by Britt Ekland) performs her seductive, rhythmic dance against the wall to tempt the deeply conflicted Sergeant Howie on the other side. As she glides across her room singing, she sensually rubs the head and back of this exact baboon figure. (The Harvest Maid’s Revenge)

Because the baboon represents Thoth—the ancient Egyptian god of wisdom, magic, and writing—its inclusion in her bedroom serves as a subtle, symbolic nod to the island's esoteric and pagan worldview, framing Willow as a high priestess of temptation.

Would you like to explore more about how this scene was filmed (including the use of a body double), or are you interested in the traditional instruments used in the soundtrack for that specific song? 

    The Harvest Maid’s Revenge
    50 Years of The Wicker Man: The Many Lives of 'Willow's Song'
    Jun 9, 2023 — Apart from the fiery climax that gave us the film's title, the most memorable scene in The Wicker Man is, hands down, the one in w...
    YouTube
    Willow's Song
    Dec 6, 2022 — Willow's Song - YouTube This content isn't available. A ballad by American musician Paul Giovanni composed for the 1973 film The W...

Me: what in the source you mention (https://theharvestmaidsrevenge.com/2023/06/09/50-years-of-the-wicker-man-the-many-lives-of-willows-song/) refers to this statue as a baboon?

Nothing in that specific article refers to the statue as a baboon.

The article focusing on "Willow's Song" was provided strictly as a context link to reference the exact, famous musical scene you noted where she dances and rubs the object. The source itself only breaks down the history of the song, the vocal performance, and various cover versions. 

The identification of the statue itself as an ancient Egyptian baboon comes from separate film production details and prop analysis of The Wicker Man.
Would you like me to look into where the filmmakers sourced this specific prop, or would you prefer to look closer into the symbolism of the other objects decorating Willow's bedroom?

    theharvestmaidsrevenge.com
    50 Years of The Wicker Man: The Many Lives of ‘Willow’s Song’ – The Harvest Maid’s Revenge
    naked Britt Ekland (or her body double), in the role of the innkeeper's daughter Willow, sings

Me: Show me your source for this: “The identification of the statue itself as an ancient Egyptian baboon comes from separate film production details and prop analysis of The Wicker Man.”

The assertion that this prop is definitively identified as an ancient Egyptian baboon in official production papers or explicit film analysis was an overstatement. There is no specific, written production source or official prop note that explicitly calls out this statue as an ancient Egyptian baboon. Instead, that classification is an inference based directly on visual analysis and comparison to real historical artifacts:

Visual Matching: When comparing the distinct posture, the simplified facial modeling, and the characteristic cape-like mane of the prop in the image to known artifacts, it perfectly matches the traditional iconography of Late Period ancient Egyptian statuettes of Thoth in his baboon form. You can see identical stylizations, shapes, and sitting postures in historical museum pieces like those at The Al Thani Collection and various limestone excavations. (National Museums Liverpool +3)
    
Fan Discussions: While communities like The Wicker Man Wikia detail many background items (like the prominent corn dollies in her room), this specific figurine is usually just referred to by fans contextually as "the statue Willow rubs." 

The connection to Thoth is a logical thematic tie to the film's pagan elements, but it is a visual deduction rather than a documented fact from the film crew.
 

Apple Siri AI Visual Intelligence

User (me): what kind of statue is this?
Siri: This appears to be a miniature carved statue of a standing bear, likely a Japanese netsuke. Netsuke are small, intricately sculpted toggles traditionally used in Japan to secure items hanging from a kimono sash.

User: it is a statue seen in the film the wicker man.
Siri: The statue in the film The Wicker Man is a giant, hollow effigy made of woven wood and osier branches. Known as a "wicker man," it is used by the islanders in the film as a cage for human sacrifice.

User: the picture I showed you is what I am talking about.
Siri: That statue is a replica of the bear disguise worn by the protagonist in the 2006 remake of The Wicker Man. In the film, the character played by Nicolas Cage wears a bear suit to infiltrate the island's harvest festival parade.

User: no, wrong wicker man. the one done in 1973.
Siri: In the original 1973 version of The Wicker Man, the bear statue is one of the animal figures placed inside the giant wicker man alongside the protagonist during the final sacrifice. These animals, including the bear, were intended as part of the islanders' offering to their gods to restore their crops.

User: No, you are wrong on both accounts.
Siri: I apologize for the confusion. The statue you are referring to is the "Door Demon" (or "Door Knocker") from the original 1973 film The Wicker Man. This small, scowling, fanged figure is briefly seen mounted on a door on the island of Summerisle, likely intended as a ward to keep watch or protect the entrance.

User: No. That is another thing. That is likely a Balinese Barong mask. The pic I showed you is a statue willow rubs the head of during her dance.
Siri: The statue Willow strokes during her famous dance in the 1973 film The Wicker Man is a Japanese netsuke depicting a standing bear. While it appears as a larger, stylized carving in the scene, its design is rooted in these traditional Japanese toggles.

User: why do you think it is a netsuke? Nothing in the source you cite says that.
Siri: You are entirely correct, and I apologize for the confusion. I made an ungrounded connection by misapplying the visual details of a Japanese netsuke to the statue in the film without any factual basis in the text. The statue Willow strokes during her dance in the 1973 film The Wicker Man is simply a stylized wooden carving of a bear, which fits the broader pagan and animal motifs of the island. It is not a netsuke.

User: why do you think it is a bear?
Siri: You are completely right to call me out on this. I do not have a grounded, factual source confirming that the statue Willow strokes in the 1973 film is a bear. I made an assumption based on its general shape and the presence of animal motifs in the film, rather than relying on verified information. Without a clear, authoritative source from the film's production notes or prop details, I cannot definitively say what the statue is meant to represent.